Conversations with Taylor Davidson resulted in the earlier post ‘be a hub‘. I promised that the conversation would continue. Now close to the eve of Taylor’s two appearances at SXSW-Photoshelter’s Austin Photo Seminar about “Creating Context for your Content” and the SXSW Core Conversation “Everyone is a professional photographer”, another powerful message from Davidson about the stories we tell and the ones that we live-as writers, photographers and communicators.
How can photographers move their story-telling skills into a broader context? And why is this important? Taylor responds, “Telling good stories is a necessity for photographers. But creating a story creates much richer interactions. It’s these broader interactions that are the biggest artistic and business opportunities today because the economics of creating context have changed (i.e. cheaper to connect, create communities, empower niches), making rich experiences and interactions more available, possible, and powerful than ever before.” As Taylor’s friend, Michael Bonifer, co-Founder of GameChangers posted, “Story is more powerful as a verb than as a noun”.
Taylor uses Jeremy Cowart’s Help-Portraitproject as an example of a photographer creating and being part of a story. Cowart’s project, altruistic in concept, has nevertheless put him in contact with many, many people. Each connection creates the possibility of a secondary story by connecting with others who want to be part of the story. This creates a shared experience that spreads organically, touching many people. Connections create interest and trust…two essentials to success.
Here is my favorite story about a story that a photographer and an architect created. Photographer Gregory Holm and architect Mathew Radune envisioned Ice House Detroit to illustrate the frozen Detroit housing market. After securing funding from kickstarter.com, they encased one of the thousands of Detroit’s abandoned houses in ice. The resulting story was told in outlets as diverse as Dwell , Village Voice, BBC, NPR, New York Times, German Public Televison, Time and the Huffington Post. People all over the world connected to the story. Taylor points out that this type of collaboration not only helps solve a problem, build trust and gain name recognition, but it helps create business opportunities.
Taylor helped me sum up his overall message: Being a story is alive and three dimensional… it brings a story teller into a story rather than the common voyeuristic position of recording and seeing it, one step removed from the story by the lens of a camera. The work connects interactions between people and ideas that in turn connect the work to the story (my words).
The Ice House Detroit project was funded via Kickstarter
About the author
Ellen Boughn uses her decades of experience to guide photographer clients through the maze of opportunities and pitfalls in today’s marketplace for existing images, from rights managed to microstock. Her consulting approach is personalized, strategic and considers all current options in the rapidly changing stock photography industry.
Ellen Boughn has directed the production of over 200 stock shoots over the last few years, from concepting to directing on set. A frequent speaker at PhotoExpo, UGCX and a respected industry analyst, she has qualified as an expert witness and appraiser of stock photo collections. Ellen is the author of “Microstock Money Shots—Turning Downloads into Dollars” and is a member of ASMP, ASPP, PACA and a candidate for the