At first glance, the spaces in Elizabeth Moran’s The Armoury resemble theatre stages. They are in fact empty sets once used by porn production company Kink.com. Interested in the conflict between private emotion and public persona in places of work (previous series have included a genetics lab and the architecture of corporate culture), Moran contacted the company asking if she could photograph their backdrops and props.
“I moved to San Francisco in 2011 and wanted to continue the series I had been working on about work spaces,” she says. “I began researching companies and the type of industries that …read more
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