By 1915, the scale of the horror of the First World War was becoming abundantly clear. This was the year of the Battles of Gallipoli, Ypres and Loos. In Benjamin Reeves’ photography studio in Lewes, Sussex, young sergeants, sailors, privates and lieutenants were preparing for battle in their own, deeply personal way – by having their portrait taken. These photographs were often presents, tokens to pass to mothers, fathers and loved ones in their absence. But they were also a proof of existence, of a life that might be extinguished too soon.
- Trevor Paglen Interview
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